Ditto [Our house [Dekyi Lingka] from over river] nearer view no tents

Ditto [Our house [Dekyi Lingka] from over river] nearer view  no tents

Image:DSC_2277.jpg (Photographer's Handlist Page) (page 439/456)

Image for comparison

Compare

(1998.131.298)

[view record]

Handlist Information

Photographer's Caption

Ditto [Our house [Dekyi Lingka] from over river] nearer view no tents

PRM Caption

PRM Manuscripts Collection: ‘List of Tibetan Prints and Negatives’ - Book 3: ‘26/3 - The Dekyi Lingka, a summer palace belonging to Gundeling monastery lent to the mission

Film Negative Number

C.15.10

Group

1/4 PlateRural Pursuits

Location

ML

Notes

A group of negatives containing images of threshing barley, Regent’s house, ferry near Dekyi Lingka and panoramic views of environs, mummers, Norbu Lingka, paper chase, tea at football match, Everest permit, Kampa people. This collection of images is headed with the title of ‘Rural Pursuits’ and it seems that Chapman may originally have intended to use this box of negatives whilst seeking out scenes such as threshing barley. However, this objective seems to have passed as the box was used as a wider variety of images than this were taken subsequently. This may also reflect the limitations of access to such scenes in and around the mission compound in the Dekyi Lingka and the constraints upon the photographic agenda of the mission

 

Handlist Information

Photographer's Caption

Vert. view of or house from over river

Film Negative Number

C.15.11

Group

1/4 PlateRural Pursuits

Location

TR

Notes

A group of negatives containing images of threshing barley, Regent’s house, ferry near Dekyi Lingka and panoramic views of environs, mummers, Norbu Lingka, paper chase, tea at football match, Everest permit, Kampa people. This collection of images is headed with the title of ‘Rural Pursuits’ and it seems that Chapman may originally have intended to use this box of negatives whilst seeking out scenes such as threshing barley. However, this objective seems to have passed as the box was used as a wider variety of images than this were taken subsequently. This may also reflect the limitations of access to such scenes in and around the mission compound in the Dekyi Lingka and the constraints upon the photographic agenda of the mission

 

Handlist Information

Photographer's Caption

Rural scene. Potala and Hosp. Hill [Chakpori] behind

Date

December 1936

Film Negative Number

C.15.17

Group

1/4 PlateRural Pursuits

Location

BL

Notes

A group of negatives containing images of threshing barley, Regent’s house, ferry near Dekyi Lingka and panoramic views of environs, mummers, Norbu Lingka, paper chase, tea at football match, Everest permit, Kampa people. This collection of images is headed with the title of ‘Rural Pursuits’ and it seems that Chapman may originally have intended to use this box of negatives whilst seeking out scenes such as threshing barley. However, this objective seems to have passed as the box was used as a wider variety of images than this were taken subsequently. This may also reflect the limitations of access to such scenes in and around the mission compound in the Dekyi Lingka and the constraints upon the photographic agenda of the mission

Accession

1998.131.298

 

Handlist Information

Photographer's Caption

Our house [Dekyi Lingka] from over river. Tents show

Film Negative Number

C.15.9

Group

1/4 PlateRural Pursuits

Location

TL

Notes

A group of negatives containing images of threshing barley, Regent’s house, ferry near Dekyi Lingka and panoramic views of environs, mummers, Norbu Lingka, paper chase, tea at football match, Everest permit, Kampa people. This collection of images is headed with the title of ‘Rural Pursuits’ and it seems that Chapman may originally have intended to use this box of negatives whilst seeking out scenes such as threshing barley. However, this objective seems to have passed as the box was used as a wider variety of images than this were taken subsequently. This may also reflect the limitations of access to such scenes in and around the mission compound in the Dekyi Lingka and the constraints upon the photographic agenda of the mission